Art as resistance against political violence
Bottled Songs Part 3: My Crush Was A Superstar
Bottled Songs Part 3: My Crush Was A Superstar

Bottled Songs Part 3: My Crush Was A Superstar

This investigation started with a ten-second amateur video I found somewhere in the middle of a television program dedicated to online Islamic propaganda – on a makeshift bed a young man conceals his drowsy face under a light blanket as another man cheerfully tells him to get up. For some reason this clip aroused my curiosity. I think I had the feeling that if I were to produce a documentary on ISIS recruits I would pick him as a character. I tried to identify him and gather visual material in which he would appear. I soon realised that among the hundreds of young French men who joined ISIS in the last years he was one of the most visible online. He was very active on social media where he would regularly post pictures and videos of his everyday life in Syria. (Chloé Galibert-Laîné)

In Bottled Songs 3: My Crush Was A Superstar, Chloé tracks a French ISIS fighter, Abu Abdallah Guitone, through a trail of messages, videos and postings to uncover his existence in both social media and reality. This leads to an uncomfortable first-person exploration of the gender dynamics behind ISIS recruitment strategies.

Bottled Songs is an ongoing media project depicting strategies for making sense of online terrorist propaganda. Filmmakers and media researchers Chloé Galibert-Laîné and Kevin B. Lee compose letters addressed to each other, narrating their encounters with videos originating from the terrorist group the Islamic State (ISIS). They use a desktop documentary approach to trace and record their investigations playing directly upon their computer screens. 
The first phase of the project consists of four short films, each taking the form of a desktop epistolary composed by one researcher addressed to the other.

In Bottled Songs filmmakers Chloé Galibert-Laîné and Kevin B. Lee follow the circulation of ISIS images and videos and their circulation in online environments. Through the desktop video approach, they show and re-enact their research, guiding the viewers through the various contextualization of the videos and images in different online settings but also recontextualizing them in their work. The personal and very subjective approach of the video letters humanizes the persons depicted or engaging with the images. The self-reflective stance of Bottled Songs, that also orders and reflects on how to make sense of IS media, offers viewers alternative readings of the affective potential of IS propaganda in digital ecosystems and the mediality and digital materiality of the propagandistic images in various screens. 

View the video here.

ARTWORK CATEGORIES

Chloé Galibert-Laîné & Kevin B. Lee

Chloé Galibert-Laîné & Kevin B. Lee